Holy Motors – Leos Carax
Nothing makes a bit of sense in Carax’s surrealist-absurdist masterpiece, but if it did, it would almost be a crime against cinema, so brilliant is its outcome. Set almost as a fluid series of short films that all feature the same morphing lead, played by Denis Levant, his French film works better the less you know going into it, but rest assured: You’ll either love it for its left-field inventiveness, or hate it for its strange, reckless meandering. For those of you who have seen Tokyo!, keep an eye out for the return of Mr. Merde, as well as a little number by Kylie Miogue. Available to stream on Netflix.
Gimme the Loot – Adam Leon
This recommendation unfortunately comes sight unseen, which I do feel very uncomfortable about, but as of this writing the film hadn’t filtered through to the various streaming platforms that it’s supposed to be available on (Amazon, YouTube, Playstation, Xbox). It’s an exciting film prospect nonetheless, or maybe it just seems that way to me because it’s a story so close to my wayward youth when I would have liked nothing better than to be the biggest writer in New York, as the films stars, Malcolm and Sofia (Ty Hickson and Tashiana Washington), aim to accomplish by tagging the Mets’ homerun apple at Citifield. In a time when subway cars have all become graffiti resistant and derelict buildings all inhabited by young white people in fedoras, it’s a daring and novel — and kind of charming — way to go about it. The apple is both a mythic legend and a joke in New York, and perfectly encapsulates the Mets’ lovable losers syndrome, which appears to parallel Malcolm and Sofia extremely well, even though they’re from enemy territory — the Bronx. I hope the film succeeds, but it seems worth a few bucks to stream even if it doesn’t.
Fat Kid Rules the World – Matthew Lillard
It’s strange to be recommending something — anything — that Matthew Lillard is involved in, but he’s got a strange winner of a film here in his adaptation of a YA novel about a fat kid who tries to step in front of a bus to end his daily dose of torment but is saved just as the bus is screeching to a halt by a ragamuffin street kid, who shakes the fat kid down for a few bucks immediately after. It’s Lillard’s first film as director and it shows a little bit in the structure and execution of the film, especially in the first act, but it’s not hard to get past when you look straight at the Angus-like story that ends up avoiding most of the pitfalls of the awkward coming-of-age story. Jacob Wysocki and Matt O’Leary work well enough in tandem as the nervous, overweight Troy and the druggie friend you hope your kid doesn’t make, Marcus, and the story fits so well in its Seattle backdrop, that it lands firmly outside of the realm of first time film. It’s not an Earth shattering film by any means, and stories about weight are hard to look at sometimes, but it’s a fitting and endearing movie for the times, that’s for sure. The film is available to stream on Netflix.